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Het hoofdpersonage Penelope is naast vrouw en moeder ook chirurg. Wanneer ze naar Aleppo trekt om daar oorlogsslachtoffers te gaan verzorgen, krijgt ze het steeds moeilijker om haar job en gezin met elkaar te verzoenen. 00Judith Vanistendael debuteerde in 2007 met ?De Maagd en de Neger?, en bracht sindsdien nog andere gelauwerde graphic novels uit. Met ?Toen David zijn stem verloor? werd ze in 2012 genomineerd voor de Eisner Awards.

Graphic novels

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The archaeology of the graphic novel does not shed light on the historical origins of the comic book; on the contrary, it tries to discover the conceptual genesis of this narrative form. If the research methodology is archaeological, in fact, the theoretical approach is the same as neuro-narratology, in the light of which four important stages are suggested. These stages define the comic novel as a "natural" literary genre, a mimesis of the process transposing reality into images and constituting the basis of thought. The figure of Rodolphe Töpffer is not excluded from this process. Thanks to his theories and his work, he leads us to hypothesize that the comic book was more "novelistic" at its origin than it is in its current forms: the path to the novel, then, would not be so much of an evolution, but rather a return to the origins.

Graphic novels.

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The protagonist of this Kafka classic, K., finds himself in a faraway, snow-covered village with a castle looming above. The inhabitants of the mysterious castle are also the strict officials who govern the village. When K. tries to reach out to the officials, he gets himself into a complex misunderstanding over the contradictory rules and regulations that dictate the daily life of the villagers. "The Castle "explores the conflicting tension of power between individuals--represented by K.--and the authorities--the officials in the castle.

Graphic novels

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Graphic novels.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The archaeology of the graphic novel does not shed light on the historical origins of the comic book; on the contrary, it tries to discover the conceptual genesis of this narrative form. If the research methodology is archaeological, in fact, the theoretical approach is the same as neuro-narratology, in the light of which four important stages are suggested. These stages define the comic novel as a "natural" literary genre, a mimesis of the process transposing reality into images and constituting the basis of thought. The figure of Rodolphe Töpffer is not excluded from this process. Thanks to his theories and his work, he leads us to hypothesize that the comic book was more "novelistic" at its origin than it is in its current forms: the path to the novel, then, would not be so much of an evolution, but rather a return to the origins.

Graphic novels.